Help continue to bring Classical Guitar Alive to a world-wide audience with your tax-deductible contribution.
June 16, 2010 "Performer/Composers II"
<Listen to Preview >
This week's edition of Classical Guitar Alive! is devoted to music by performer/composers, and features
interviews with several of today's leading virtuoso guitarist composers, including Michael Nicolella,
John Williams, Sergio Assad, Roland Dyens.
The program begins with an interview recorded in November 2005 with Seattle-based guitarist-composer Michael
Nicolella, who discusses the form of his Toccata and Fugue.
Guitarist John Williams notes that composers of the past (Bach, Mozart, Beethoven) were all also performers.
He also points out that performer/composers usually avoid the compositional failures that befall non-performers.
A modern "hit" with public radio listeners, his "Aeolian Suite" for guitar and orchestra is from his 1998 Sony
CD release "The Guitarist."
In an interview with the French-Tunisian guitarist Roland Dyens, he relates his goal as a composer: to make an
emotional impact upon the non-music specialist listener with a well-crafted art. He laments the "stupid idea"
of the division of composers and performers. In a live recording from the historic 1998 Stetson Guitar Festival
in Deland, Florida, Dyens performs one of his unpublished and unrecorded works, the strikingly original and
inventive "Variations on G#".
Composer and Grammy-winning LA Guitar Quartet member Andrew York discusses the meaning of the title of his
piece "Transilience" for flute, guitar, and cello, and how it differs from most of his solo guitar compositions.
Guitarist Kim Perlak is joined by flutist Yong Clark, and cellist Cathy Anderson in a 2005 recording at Yale
One of the world's greatest living guitarist-composers is also a member of the world's foremost guitar duos.
Sergio Assad relates how he was driven to abandon composition twice while a student, due to the pervasive
influence of avant-gardists in 70's academia. Nadja Salerno-Sonnenberg joins the Assad Duo in Sergio's
"Gypsy Songs" for violin and two guitars.
The program concludes with "Cancion de Cuna" (Cradle Song) composed and performed by one of Europe's
best-selling classical guitarists, Kaare Norge, from Denmark.
Public Radio Satellite System uplink:
Wednesday, June 16, 2010 at 1300 ET
Program ID# 10-D65-00024
Title: Performer/Composers II
Total length: 58:57
In Cue: MUSIC IN "Hello and welcome to.."
Out Cue: MUSIC IN "...another edition of Classical Guitar Alive!"
Program Length: 58:57
Bizet: Carmen Suite: Prelude
Los Romeros (Philips 412-609)
Interview excerpt: Michael Nicolella:
"It all came from this germ of an idea... ...became the main theme of the subject."
Nicolella: Toccata and Fugue
Michael Nicolella, guitar
(Gale Recordings 05-004)
Interview excerpt: John Williams:
"Having performed a lot of new music, I'm very aware of where composers sometimes fall down..." "... it became a piece."
Williams: Aeolian Suite
John Williams, guitar
William Goodchild, cond.
(Sony Classical 60586)
Interview excerpt: Sergio Assad:
"I had several phases; the first was ..." "... I'm trying to write a lot of chamber music now"
Assad: Gypsy Songs
Nadja Salerno-Sonnenberg, violin
Sergio and Odair Assad, guitars
(Elektra Nonesuch 79505)
Interview excerpt: Roland Dyens:
"The most important thing for me is to touch deeply the listener..." "...it's impossible because I need both."
Dyens: Variations on G#
Roland Dyens, guitar
(live recording, Stetson University 1998)
Interview: Andrew York:
"The piece Transilience I wrote while I was living in London... ...a lot of textural possibilities with guitar,
flute, and cello."
Kim Perlak, guitar
Yong Clark, flute
Cathy Anderson, cello
Norge: Cancion de Cuna
Kaare Norge, guitar
(EMI Classics 724382636724)
CLOSING THEME/FUNDING CREDITS